Press
“The musicians of the Badische Staatskapelle, under the sensitive and concise direction of Dominic Limburg, achieve something extraordinary. Dominic Limburg successfully molds the richness of Janáček's musical language with tremendous plasticity, maintaining a chamber music transparency where one can clearly hear the magnificent flageolet passages, bow tapping, delicately nuanced woodwind phrases, as well as the superbly intonated horn quartet. The Badische Staatskapelle delivers sparkling humor and elegiac melodies, and the finale is truly breathtaking, especially in conjunction with the staging.”
Oper Akteull
The Cunning Little Vixen
The Merry Nibelungs
"Dominic Limburg's spirited conducting brings a lot of pleasure with the right combination of enthusiasm and finesse for the delights of the score, the ironic hints, and bold exaggerations."
Online Musik Magazin
Swan Lake
"The Badische Staatskapelle, under the animated direction of Dominic Limburg, unfolds the overwhelming Tschaikowski music into luscious sound splendor and plays a significant role in the great and well-deserved success of this 'Swan Lake' adaptation."
Die Rheinpfalz
Musical Comedy Operetta Prize
"Effectively utilizing the strong contrasts between piano and forte, Limburg convincingly impressed with his multilayered tonal colors and the highest ensemble quality in every pitch. He kept every orchestra member in focus throughout and thereby created, in the minds of his listeners and jury members, a sumptuous cinematic experience."
Leipziger Volkszeitung
Symphony Concert - 40 Years Orchesterakademie
“With electrified ease and buoyant rhythmic swing, Dominic Limburg shaped the famous overture of Gioachino Rossini's 'The Barber of Seville’.”
Berliner Morgenpost
Alcina
“The Wuppertal Symphony Orchestra under the direction of Dominic Limburg experiences ALCINA's emotional worlds in an impressive manner, delivering a musical delight to the audience”
MIKS Musikmagazin
Intermezzo
“The orchestra of the Deutsche Oper sounded magnificent under the direction of Dominic Limburg, even better than the Staatskapelle Berlin the day before in Khovanshchina. Timbre refinement, brilliance, a palette of colors, clean textures, transparency, balance, and cohesion characterized a performance that, on one hand, highlighted the brilliance of Strauss's orchestration without any heaviness, with splendid interludes, and on the other hand, merged with the staging in the agile and fluid development of the plot.”
Coda Lario